As a wealthy Swedish family, he celebrates his Patriarch Alexander’s birthday (Erland Josephson, crying and whisper), the news of World War II outbreaks reach the far Baltic island – and the lucky mood turns into horror. The family is in a state of psychological damage, which is excellent in the Tarkovsky arrest palette with light gray, washing the gloomy landscape around their house. (Master film photos by Sven Nykvist, long -time fellow Ingmar Bergman). For Alexander, a philosopher who is worried about the lack of human spirituality, the prospect of a certain disappearance forces the final sacrifice and enters Faustian, along with God to save their loved ones from the fear that tries them. The last director’s film died of cancer, the victim is a personal statement by Tarkovsky, a deeply touching, redeemed tragedy captured in unforgettable paintings and painful emotions.
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